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His first novel was an adventurous work of cyberpunk, although the cyberpunk community never claimed it as such. Vollmann has not been ignored although not a commercial success, he has earned a reputation as a cult writer. With a 2005 National Book Award under his belt for Europe Central, William T.
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Bamberger published, through the revived Borgo Press Milford series “Popular Writers of Today,” a critical study, 43 Views of Steve Katz, that contends that Katz is “the greatest living novelist in English” (3). Katz has received little scholarly attention, although in 2007, W.C. “There was a time when it seemed like reputable publishers and weird writers were thinking much in the same way,” Katz says in Anything Can Happen: Interviews with Contemporary American Novelists (220).
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In the late 1960s and early 1970s, commercial publishers were taking a chance on experimental fiction, hoping to discover the next Richard Brautigan, Donald Barthleme, or Kurt Vonnegut-iconoclasts writing the kind of fantastic, formally innovative (and possibly science-fictional) prose that was so striking in Slaughterhouse-Five (1969), In Watermelon Sugar (1968), and Snow White (1968). Steve Katz is one of our most neglected leading authors of contemporary fiction, having started his career in 1968 with the commercial New York houses Holt, Reinhart and Winston, Random House, and Knopf. Nor have they been acknowledged by sf writers, readers, and critics, with just two exceptions of which I am aware: Larry McCaffery has interviewed both writers, and in the March 1988 SFRA Newsletter, Rob Latham praised Vollman’s “satiric science-fictional tour de force,” noting its “pervasive” “connection with cyberpunk” (33).
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Although containing the necessary elements of the genre, these novels were not marketed as sf by their respective publishers. Vollmann’s You Bright and Risen Angels (1987). Two significant postmodern authors have written sf novels that have not been given just attention: Steve Katz’s Saw (1972) and William T. Weird Pages: The SF Novels of Steve Katz and William T.